Pixelverse Airdrops

 

"Crew," one of the most anticipated movies of the month, is currently showing in theaters. The film, which stars Tabu, Kareena Kapoor, and Kriti Sanon in the key roles, seems to be an entertaining ride with a few bumps along the way.

Three air hostesses who manage their own homes—Geeta (Tabu), Jasmine (Kareena Kapoor), and Divya (Kriti Sanon)—become entangled in a web of situations that make it difficult to distinguish between need and greed.

The sudden derailment of a well-known airplane has given rise to a wicked cause and effect in the minds of the writers. An accidental pot of gold slips into the hands of the three crew members, who are driven by greed and need to plan a heist.

The plot of tricking the conman is intriguing, and there are flashes of brilliant inventiveness, but Nidhi Mehra and Mehul Suri rely a bit too heavily on Tabu, Kareena, and Kriti's smart banter to work their magic. The movie confronts the viewer similarly to the males in the movie, who become irrational as the main characters expose their advantages. 

From the beginning, the three have forged a strong bond and given the characters a sardonic sense of humor, but their impressive performance and glitz cannot conceal the screenplay's fundamental silliness. We are aware that an image's quality does not grow with resolution. The writing eventually becomes as trite and self-aware as the tedious task of finding out what the other passengers want to eat on a plane—a technique the writers have themselves employed to create situational humor. The desperate attempt to make people laugh is so evident that you can see the script's underlined passages on the screen when Krishnan is trying to make them laugh or smile.

In roles envisioned as three scenes with a single end credit song, Kapil and Diljit Dosanjh have been given minimal leeway to express themselves. As the Mallaya-style tycoon, Saswata Chatterjee makes an impression.

The whole background soundtrack is taken from Subhash Ghai's Khal Nayak song "Choli Ke Peeche," but it fits the movie well and is a true testament to Laxmikant Pyarelal's mastery of an addictive riff that endures for three decades. But Hero No. 1's "Sona Kitna Sona" is played over and over again, and it becomes annoying. It seems as though the creators left the sets to the gorgeous women to do their thing during a tumultuous moment in the second half. 

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